This delusion may similarly delude other tulipomaniacs into thinking such property is a valuable investment, but then that’s true for a pile of bricks in the tate gallery.

Meanwhile, the social community regards its commercial ‘exploitation’ as highly amusing – though some still get fearful (even if they don’t quite know why).

There is a class of public work that only has value whilst it exhibits all the signs of being unowned and uncontrolled. The fact that there’s some smallprint that states otherwise is inconsequential.