So if networked communication and cybernetic technologies are so potentially liberating, why are they so authoritarian in the forms they currently take? The Italian Marxist Antonio Gramsci, who died in Mussolini’s prisons in the 1930s, once wrote that “the old world is dying, and the new one struggles to be born; now is the time of monsters.”.
Techno-Utopianism, Counterfeit and Real by Kevin Carson. Read the full series here or scroll down for the PDF.
There’s a whole host of left-wing critiques of the capitalist version of techno-utopianism, centered on the Silicon Valley tech industry and corporate-enclosed sharing economy. A good example is Richard Eskow’s think piece on the “techno-libertarians.”  It focuses on the likes of Peter Thiel and Uber; the problem with this culture, he writes, is that their business model treats products primarily as a source of revenue — or more accurately rents — rather than an end in themselves. This primary evil carries with it a number of secondary symptoms, like the pathological culture of motivation-speak and buzzwords and the cult of “Great Men” like Bill Gates, Steve Jobs and Mark Zuckerberg. Monopolies transfer income from workers and consumers to rentiers. And the authoritarian form taken by the technologies, as they are developed under a proprietary information regime, regards users less as the ultimate reason for the technologies than as a revenue stream to be permanently locked in via user agreements and licensing.
So if networked communication and cybernetic technologies are so potentially liberating, why are they so authoritarian in the forms they currently take? The Italian Marxist Antonio Gramsci, who died in Mussolini’s prisons in the 1930s, once wrote that “the old world is dying, and the new one struggles to be born; now is the time of monsters.” In the case of the new world offered by liberatory technologies, most of the birth struggle results from the principalities and powers of the old world fighting to imprison the forces of the new world in their old institutional framework.
Lewis Mumford borrowed a term from geology — “cultural pseudo-morph” — to describe the process by which new, potentially liberating technologies were instead incorporated into the institutional forms of the old world, like new mineral deposits that gradually formed a fossil in the shape of buried organic matter. He was referring in particular to the technologies of what he called the neo-technic age, like the electric motor, which by nature were low-overhead and decentralizing. The optimal use of such technologies would have been to replace the paleotechnic order (in which large factories were built to economize on steam power by running as many machines as possible off a prime mover) with a new model of manufacturing where a motor of any size could be built into a machine wherever it was used, the machine could be scaled to production flow, production flow could be scaled to immediate demand, and the site of production could be located close to the point of consumption.
Instead, the forces of the old paleotechnic world were strong enough to put the new wine of electrical power into the old institutional framework of Dark Satanic Mills, in the form of mass production (which threw away all the special advantages of electric power for decentralized, lean production).
Although Mumford didn’t live to see it, the internal crisis tendencies and inefficiencies of mass production eventually led, from the ’70s on, to the outsourcing of actual production to small job-shops owned by independent contractors. The new technological wine still remained in the old corporate bottles, thanks to the use of patents and trademarks to enforce a corporate monopoly on the distribution of a product they didn’t actually make. But the
rapid implosion in cost and scale of tabletop CNC machinery, especially open-source versions, are unleashing productive forces that are making “intellectual property” unenforceable. It’s only a matter of time before garage factories using small-scale general-purpose machinery to produce on a craft model are ignoring patents and trademarks and making goods for local neighborhood markets all over the world.
The same is true of network communications and digital culture. The kinds of thinkers on the Left we’ve been surveying here see commons-based peer production as the kernel of a post-capitalist society that will gradually emerge from within the interstices of the present system, coalesce into a new system, and supplant the old one.
These new technologies of abundance are still held captive within proprietary frameworks like Windows and OSX operating systems, corporate-owned sharing apps like Uber and AirBNB, and the like — enclosed in a neo-feudal “intellectual property” framework to enable the extraction of rents.
But the days of this intermediate stage are numbered. The productive forces unleashed by these new technologies cannot be contained by the old authoritarian class relations, for all the reasons we’ve examined here. So
Techno-Utopianism, Counterfeit and Real (With Special Regard to Paul Mason’s Post-Capitalism)
Download a PDF copy of Kevin Carson’s full C4SS Study: Center for a Stateless Society Paper No. 20 (Spring 2016)
IV. Analysis: Comparison of the Two Strands of Techno-Utopianism
Areas of commonality
V. Paul Mason
VI. Left-Wing Critiques of Mason
93. Richard Escow, “Rise of the Techno-Libertarians,” Salon.com, April 12, 2015 <https://www.salon.com/2015/04/12/rise_of_the_techno_libertarians_the_5_most_socially_destructive_aspects_of_silicon_valley_partner/>.