Introduction

E.F. Schumacher’s seminal work Small Is Beautiful (1973) champions the idea of smallness and localism as the way for meaningful interactions amongst humans and the technology they use. Technology is very important after all. As Ursula Le Guin (2004) puts it, “[t]echnology is the active human interface with the material world”. With this essay we wish to briefly tell a story, inspired by this creed, of an emerging phenomenon that goes beyond the limitations of time and space and may produce a more socially viable and radically democratic life.

We want to cast a radical geographer’s eye over “cosmolocalism”. Antipode has previously published an article by Hannes Gerhardt (2019) and an interview with Michel Bauwens (Gerhardt 2020) that have touched upon “cosmolocalism”. Cosmolocalism emerges from technology initiatives that are small-scale and oriented towards addressing local problems, but simultaneously engage with globally asynchronous collaborative production through digital commoning. We thus connect such a discussion with two ongoing grassroots developments: first, a cosmolocal response to the coronavirus pandemic; and, second, an ongoing effort of French and Greek communities of small-scale farmers, activists and researchers to address their local needs.

Cosmolocalism in a Nutshell

Τhe most important means of information production – i.e. computation, communications, electronic storage and sensors – have been distributed in the population of most advanced economies as well as in parts of the emerging ones (Benkler 2006). People with access to networked computers self-organise, collaborate, and produce digital commons of knowledge, software, and design. Initiatives such as the free encyclopedia Wikipedia and myriad free and open-source software projects have exemplified digital commoning (Benkler 2006; Gerhardt 2019, 2020; Kostakis 2018).

While the first wave of digital commoning included open knowledge projects, the second wave has been moving towards open design and manufacturing (Kostakis et al. 2018). Contrary to the conventional industrial paradigm and its economies of scale, the convergence of digital commons with local manufacturing machinery (from 3D printing and CNC milling machines to low-tech tools and crafts) has been developing commons-based economies of scope (Kostakis et al. 2018). Cosmolocalism describes the processes where the design is developed and improved as a global digital commons, while the manufacturing takes place locally, often through shared infrastructures and with local biophysical conditions in check (Bauwens et al. 2019). The physical manufacturing arrangement for cosmolocalism includes makerspaces, which are small-scale community manufacturing facilities providing access to local manufacturing technologies.

Unlike large-scale industrial manufacturing, cosmolocalism emphasizes applications that are small-scale, decentralised, resilient and locally controlled. Cosmolocal production cases such as L’Atelier Paysan (agricultural tools), Open Bionics (robotic and bionic hands), WikiHouse (buildings) or RepRap (3D printers) demonstrate how a technology project can leverage the digital commons to engage the global community in its development.

Two Cases of Cosmolocalism

While this essay was being written in March 2020, a multitude of small distributed initiatives were being mobilised to tackle the coronavirus pandemic. Individuals across the globe are coming together digitally to pool resources, design open source technological solutions for health problems, and fabricate them in local makerspaces and workshops. For example, people are experimenting with new ventilator designs and hacking existing ones, creating valves for ventilators which are out of stock, and designing and making face shields and respirators.

There are so many initiatives, in fact, that there are now attempts to aggregate and systematise the knowledge produced to avoid wasting resources on problems that have already been tackled and brainstorm new solutions collectively.[1] This unobstructed access to collaboration and co-creation allows thousands of engineers, makers, scientists and medical experts to offer their diverse insights and deliver a heretofore unseen volume of creative output. The necessary information and communication technologies were already available, but capitalism as a system did not facilitate the organisational structure required for such mass mobilisation. In response to the current crisis, an increasing number of people are working against and beyond the system.

Such initiatives can be considered as grassroots cosmolocal attempts to tackle the inability of the globalised capitalist arrangements for production and logistics to address any glitch in the system. We have been researching similar activity in various productive fields for a decade, from other medical applications, like 3D-printed prosthetic hands, to wind turbines and agricultural machines and tools (Giotitsas 2019; Kostakis et al. 2018).

The technology produced is unlike the equivalent market options or is entirely non-existent in the market. It is typically modular in design, versatile in materials, and as low-cost as possible to make reproduction easier (Kostakis 2019). Through our work we have identified a set of values present in the “technical codes” of such technology which can be distilled into the following themes: openness, sustainability and autonomy (Giotitsas 2019). It is these values that we believe lead to an alternative trajectory of technological development that assists the rise of a commons-based mode of production opposite the capitalist one. This “antipode” is made possible through the great capacity for collaboration and networking that its configuration offers.

Allow us to elaborate via an example. In the context of our research we have helped mobilise a pilot initiative in Greece that has been creating a community of farmers, designers and fabricators that helps address issues faced by the local farmers. This pilot, named Tzoumakers, has been greatly inspired by similar initiatives elsewhere, primarily by L’Atelier Paysan in France. The local community benefits from the technological prowess that the French community has achieved, which offers not only certain technological tools but also through them the commitment for regenerative agricultural practices, the communal utilisation of the tools, and an enhanced capacity to maintain and repair. At the same time, these tools are adapted to local needs and potential modifications along with local insights may be sent back to those that initially conceived them. This creates flows of knowledge and know-how but also ideas and values, whilst cultivating a sense of solidarity and conviviality.

Instead of Conclusions, a Call to Arms

We are not geographers. However, the implications of cosmolocalism for geography studies are evident. The spatial and cultural specificities of cosmolocalism need to be studied in depth. This type of study would go beyond critique and suggest a potentially unifying element for the various kindred visions that lack a structural element. The contributors (and readership) are ideally suited to the task of critically examining the cosmolocalism phenomenon and contributing to the idea of scaling-wide, in the context of an open and diverse network, instead of scaling-up.

Cosmolocal initiatives may form a global counter-power through commoning. Considering the current situation we find ourselves in as a species, where we have to haphazardly re-organise entire social structures to accommodate the appearance of a “mere” virus, not to mention climate change, it is blatantly obvious that radical change is required to tackle the massive hurdles to come. Cosmolocalism may point a way forward towards that change.

Acknowledgements

The authors acknowledge funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant no. 802512). The photos were captured by Nicolas Garnier in the Tzoumakers makerspace.

Endnote

[1] Volunteers created the following editable webpage where, at the time of writing, more than 1,500 commons-based initiatives against the ongoing pandemic have been documented: https://airtable.com/shrPm5L5I76Djdu9B/tbl6pY6HtSZvSE6rJ/viwbIjyehBIoKYYt1?blocks=bipjdZOhKwkQnH1tV (last accessed 27 March 2020)

References

Bauwens M, Kostakis V and Pazaitis A (2019) Peer to Peer: The Commons Manifesto. London: University of Westminster Press

Benkler Y (2006) The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press

Gerhardt H (2019) Engaging the non-flat world: Anarchism and the promise of a post-capitalist collaborative commons. Antipode DOI:10.1111/anti.12554

Gerhardt H (2020) A commons-based peer to peer path to post-capitalism: An interview with Michel Bauwens. AntipodeOnline.org 19 February https://antipodeonline.org/2020/02/19/interview-with-michel-bauwens/ (last accessed 27 March 2020)

Giotitsas C (2019) Open Source Agriculture: Grassroots Technology in the Digital Era. Basingstoke: Palgrave Macmillan

Kostakis V (2018) In defense of digital commoning. Organization 25(6):812-818

Kostakis V (2019) How to reap the benefits of the “digital revolution”? Modularity and the commons. Halduskultuur: The Estonian Journal of Administrative Culture and Digital Governance 20(1):4-19

Kostakis V, Latoufis K, Liarokapis M and Bauwens M (2018) The convergence of digital commons with local manufacturing from a degrowth perspective: Two illustrative cases. Journal of Cleaner Production 197(2):1684-1693

Le Guin U K (2004) A rant about “technology”. http://www.ursulakleguinarchive.com/Note-Technology.html (last accessed 27 March 2020)

Schumacher E F (1973) Small is Beautiful: A Study of Economics As If People Mattered. New York: Harper & Row

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Makers and the related  activities are more often observed in vibrant cities, encapsulating diverse communities of designers, engineers and innovators. They flourish around luscious spaces and events, where talent and ideas are abound. Pioneer cities, like Barcelona, Madrid, London, Copenhagen and Amsterdam, have gradually evolved to prominent centres of the maker culture.

But what about places where these elements are less eminent? It is often said that some of the most advanced technologies are needed in the least developed places. And here the word “technology” conveys a broader meaning than mere technical solutions and enhancements of human capacities. Etymologically, technology derives from the ancient Greek words “techne”, i.e. art or craft, and “logos”, which refers to a form of systematic treatment. In this sense, technology is practically inseparable from the human elements of craftsmanship, ingenuity and knowledge. Elements that are as embedded in our very existence, as the practice of sharing with our neighbours. Especially in situations of physical shortage and scantness, solidarity and cooperation are the most effective survival strategies.

This is the case of a small mountainous village in North-Western Greece called Kalentzi. It is situated in the village cluster of Tzoumerka, a place abundant in natural and cultural wealth, yet scarce in the economic means of welfare. The local population mostly depends on low-intensity and small-scale activities combining arboreal cultivation, husbandry and beekeeping. Investment was never overflowing in the region, let alone in today’s Greek economy in life support.

A local community of farmers assembled around a practical problem: finding appropriate tools for their everyday activities. Established market channels mostly provide with tools and machinery that are apt for the flatlands. Acquisition and maintenance costs are unsustainably high, while people often have to adapt their techniques to the logic of the machines. They begun with simple meetups where they created a favourable environment to share, reflect and ideate on their common challenges and aspirations, facilitated by a group of researchers from the P2P Lab, a local research collective focused on the commons.

Soon the discussion was already saturated and they started building together a tool for hammering fencing-poles into the ground. Several tools and methods have been used for this task for ages, though each one with its associated difficulties and dangers. Some farmers climb on ladders to hammer the poles, while others use barrels. However, it’s the combined effort of hammering while maintaining one’s balance that is particularly challenging, whereas there are often two people required for the job.

Interesting ideas were already in place to solve this problem. Designs were drafted on a flipchart with a couple of markers and the ones more available brought some of their own tools, like a cut saw and an electric welder, to build a prototype.

That has been the birth of Tzoumakers: a community-driven agricultural makerspace in Tzoumerka, Greece. Tzoumakers is more than an unfortunate wordplay of “Tzoumerka” and the maker culture; it is about a unique confluence of the groundbreaking elements of the latter, with the rich traditional heritage of the former. A distinctive synthesis that transcends both into a notion that seeks to create solutions that are on-demand and locally embedded, yet conceived and shareable on a global cognitive level.

It is important to emphasise that Tzoumakers is not a place that develops new tools ‘in house’. Rather it builds upon the individual ingenuity of its community and remains open for everyone to participate in this process. Through collective work, field testing and representation new tools may be released and further shared to benefit others with similar problems. Many of the necessary innovations are already there; the role of Tzoumakers is to collect, formalize and disseminate them.

But it’s also important to understand that Tzoumakers, much like its tools and solutions, cannot provide ready-made blueprints for solutions to be simply copy-pasted elsewhere. The same applies to the projects that have been its inspiration, such as L’ Atelier Paysan and Farm Hack, which cannot convey one unified cosmopolitan vision for the agricultural sector. The same process of connection, collaboration and reflection has to be followed on every different context, whether rich or poor, vibrant or desolate, in abundance or scarcity. But it is this combination of human creativity, craftsmanship, meaningful work and sharing that arguably embodies a true, pervasive and “cosmolocal” spirit for the maker culture.

Notes:

Tzoumakers and the P2P Lab are supported by the project “Phygital: Catalysing innovation and entrepreneurship unlocking the potential of emerging production and business models”, implemented under the Transnational Cooperation Programme Interreg V-B “Balkan – Mediterranean 2014-2020”, co-funded by the European Union and the National Funds of the participating countries.

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This is a story about people who build their own machines. It’s a story about people who, due to necessity and/or conscious choice, do not buy commercial equipment to work their lands or animals, but who invent, create and adapt machines to their specific needs: for harvesting legumes, for hammering poles, for hitching tools onto tractors.

The machines are just one part of our story, and this article will talk about encounters between people, tools and knowledge and it will take us to various places: Paris and Renage in France, Pyrgos and Kalentzi in Greece, and Tallinn in Estonia.

Let us begin our journey in Greece. In Pyrgos (southern Crete), there is a small group of people called Melitakes (the Cretan word for ants) interested in seed sovereignty and agroecology. It is a group that cares about organic farming and that tries to form a small cooperative. One of the things the group does is to plant legumes in between olive-trees or grapes. While olive trees are abundant in Greece, the land in between individual trees is usually not cultivated due to the distance necessary to avoid shading and foster the growth of the trees. So the idea was quite simple: use the unused land. However, the members of the group soon faced a specific problem: it’s hard to harvest legumes by hand and there are no available tools to do this arduous job in a narrow line between olive trees. On the market, there are only big tractor accessories, suitable for such a job, and only for large crops. That is why the group sought the help of a friend in a nearby village, a machinist, to help them out. He liked the idea. He saw it as a challenge and started to develop a tool (see picture 1). At that time, there were no concrete ideas or talks of ‘open sourcing’ the tool and of ‘do-it-yourself’ (DIY) practices. The situation was rather a pragmatic one: ‘there is a need for a machine that does not exist in commerce, we need a person to build it… and that’s what we did, supporting that person as much as we could, during the process’.

DIY legumes harvesting machine by Nikos Stefanakis and the Melitakes group. Source: Alekos Pantazis.

Several weeks later, the two authors of this article met in Paris: Alekos, who knew about his compatriots who built the legume-harvesting machine met Morgan, who knew about l’Atelier Paysan, a French cooperative specialized in the auto-construction of agricultural equipment, based in Renage. Alekos explained his plans: carrying out his PhD at Tallinn University of Technology on convivial technologies, getting to know l’Atelier Paysan, and ‘implementing’ some ideas in Greece through creating a makerspace for building agricultural tools within the framework of an EU funded programme called Phygital. Morgan explained the trajectory of his research on/with l’Atelier Paysan: his involvement in a collaborative project on user innovation since 2015 and his analysis of l’Atelier Paysan through looking at the politics and materialities of open source technologies in agriculture. After their discussion about theoretical approaches, methods, concepts and fieldwork, it was time for Alekos to meet l’Atelier Paysan ‘on the ground’ by participating in a 5-day workshop to build two tools for organic grape crops.

Alekos gained several kinds of knowledge via the workshop. Practical knowledge on working with metals, cutting, and welding. He also gained theoretical knowledge from l’Atelier Paysan: its organizational structure, the problems faced (and how they are solved), the financial setup and how to run workshops (see picture 2).

Construction of the charimaraîch (a wheelbarrow/wagon adapted for market gardening). Source: l’Atelier Paysan

L’Atelier Paysan is one of the few collectives specialized in such activities (other notable collectives being Farmhack and Open Source Ecology). L’Atelier Paysan has developed a range of practices and tools for ‘liberating’ agricultural tools: a website, workshops, a book, video tutorials, and open-source plans. In their recent article, Chance and Meyer (2017) have analyzed l’Atelier Paysan by retracing their history and form of organization, studying how they enact the principles of open source in agriculture, and by describing their tools within their economic and political context.

When Alekos got back in Greece, he visited the Melitakes group again. He explained how l’Atelier Paysan works – its practices, philosophies, and ethics – and the various tools that have been designed and built. While thinking about the future development of Melitakes’ tool and its possible diffusion through some of the standards developed by l’Atelier Paysan, the collective faced a new problem: none of them was a mechanical engineer. None of them thus could draw the design of the components of the legume harvesting tool in situ. Yet this was a crucial step for digitizing the design and making it accessible online. So they sought the help of architects for how to best illustrate each part of the machine. Subsequently, they dismantled the tool, took photos of each component (more than 300 photos in total) in the correct angle (90 degrees) and with a tape measure visible on each photo. They also used big pieces of paper to trace some complicated parts (see picture 3). And they started looking for persons who, based on the pictures and imprints, would be able to (digitally) draw the mechanical design of the tool.

The plan, at the moment of writing this article, is to draw the plans of the tool, open source them by publishing them on the Internet under a Creative Commons type of license and then organize workshops to teach people to build it. So while the full story about the legume-harvesting tool has yet to be written, some features can already be told: a practical problem has been translated into a technical tool; this tool has been disassembled and photographed in order to make it ‘drawable’ and thus available via Internet. The hope, for the future, is that many more people, in many more places, will be able to build this tool, further improve it and share the improved design with the global community. But alongside the tool, something else will travel and be reinforced: the principles of agroecology and the practices of open source.

Imprinting of some complicated parts from the DIY legumes harvesting machine by Nikos Stefanakis and the Melitakes group. Source: Alekos Pantazis.

Our second story begins in a village called Kalentzi in Northern Tzoumerka region, Greece. The local community of farmers (called Tzoumakers) had another practical problem: finding an appropriate tool for hammering fencing-poles into the ground. Several tools have been used for this task for ages. But not without its difficulties and dangers: there are farmers who climb ladders and hammer the poles, and others who climb on barrels to do the job. But the combined efforts of hammering the poles into the ground and, at the same time, maintaining one’s balance on the ladder/barrel proves difficult – plus, you need two people to do the job. That is why several local farmers and makers got together, tried to find a solution and set up a plan to build a tool that can do the job without the need for acrobatic moves by making it possible for one person to hammer the poles while standing firmly on the ground (see picture 4).

Testing the newly constructed tool for hammering fencing-poles from the Tzoumakers group. Source: Alekos Pantazis.

The next phase, after the current prototyping of the tool, will be the design of a booklet that will include a detailed presentation, an explanation of the usefulness of the tool, a list of all the equipment and material needed, instructions for building the tool (and the risks thereof), drawings and pictures.

It is time, now, to move back to France and give more details about l’Atelier Paysan. The first tool construction workshops took place in 2009 by a group of innovative organic farmers that was eventually formalized and structured into the cooperative l’Atelier Paysan in 2014. At that time, l’Atelier Paysan had already begun situating its practices theoretically, by mobilizing various vocabularies and concepts (agroecology, open source, social/circular economy, common good, appropriate technologies, etc.) as well as various authors and academics (André Gorz, Jean-Pierre Darré, etc.). Active collaboration with several academics in the social sciences was sought from 2015 onwards.

By that time, l’Atelier Paysan had already perfected its general methodology: doing its TRIPs (Tournées de Recensement d’Innovations Paysannes / Tours to Make an Inventory of Peasant Innovations); developing tools via testing, prototyping, upgrading and realizing workshops; and ‘liberating’ the collectively-validated tools via publishing detailed plans and tutorials on the Internet. One of its most prominent tools is the quick hitch triangle, which replaces the usual three-point linkage between a tractor and the tool to be fixed behind it. For the quick hitch triangle, l’Atelier Paysan has produced a 10-minute video, taken many pictures, issued a 47-page booklet, drawn several plans – all of which are freely available on its webpage (see picture 5).

Design, making and testing the quick hitch triangle from the l’Atelier Paysan. Source: l’Atelier Paysan.

It is important to stress a key feature: it is not l’Atelier Paysan that develops new tools from scratch ‘in house’; rather, they actively look out for individual farmers’ innovations. Only thereafter, through collective construction work, after testing the tool in the field and various processes of representation (plans, pictures, videos), are the tools released. Put differently, while user innovations are already there, ‘in the field’, the role of l’Atelier Paysan is to collect, formalize and disseminate these innovations.

In Greece, the situation is somewhat similar: local peasants already have several ideas in mind for tools that they would like to materialize. The idea is now to continue building tools with the local community, a practice that is usually experienced as positive and empowering. Ideas – like seeds – need fertile ground. Yet, a model like the one from l’Atelier Paysan, cannot simply be copy-pasted to another country and another context unmodified: a thorough understanding of both realities is needed. For example, in Greece, there are no public funding streams available for such endeavors, and the specific plants, soils, and morphologies of the country also call for specific, locally adapted tools. Apart from the political and natural peculiarities, socio-cultural characteristics also differ. For example, farmers’ skills are not the same in Greece than in France, and the collective memory and experience of building cooperatives in Greece is different. The conditions under which people can cooperate have their local ‘flavours’ rooted in habits, perceptions and social imaginaries. Therefore, l’Atelier Paysan’s model can act as an inspirational starting point but needs to be adjusted through continuous local experimentation.

The final leg of our trip brings us back to our respective academic homes (in Paris and Tallinn), to our keyboards to write this article, and to the theorizations that we are currently working on. Our stories have been about the work – and sometimes difficulties – that go into transporting ideas, machines, practices, and knowledge from one site to another. This is not a simple move, it is not just a matter of copy-pasting an idea, a practice or a technology from one place to another. Ideas, practices, and technologies are not immutable objects, but they are, in a sense, ‘quasi-objects’. In order to move ideas and technologies, they need to be transformed, disassembled and reassembled, translated, represented, adjusted. It is only via a variety of interlinked actions – imagining, testing, photographing, drawing, theorizing, sharing, rebuilding – that objects can travel and multiply. For these technological devices to be open, ‘convivial’ and low-tech, they need to be opened up in several ways. Our argument is that this opening up is both a technical practice and a social endeavor. Our stories are thus not only about the practices of open sourcing agricultural tools, but also about the (geo)politics, ethics, aesthetics and collective dimensions thereof.

(Note: the authors of the article would like to thank Luis Felipe Murillo, Evan Fisher, Chris Giotitsas and Vasilis Ntouros for their suggestions and comments. Alekos Pantazis acknowledges financial support from IUT (19-13) and B52 grants of the Estonian Ministry of Education and Research, COST Action CA16121 project and the Phygital project which is funded via the Transnational Cooperation Programme Interreg V-B Balkan – Mediterranean 2014-2020)

Lead Image: L’Atelier Paysan

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