history – P2P Foundation https://blog.p2pfoundation.net Researching, documenting and promoting peer to peer practices Mon, 17 May 2021 18:49:08 +0000 en-US hourly 1 https://wordpress.org/?v=5.5.15 62076519 History as a Commons: a Q&A with Chris Carlsson of Shaping San Francisco https://blog.p2pfoundation.net/history-commons-qa-chris-carlsson-shaping-san-francisco/2016/07/30 https://blog.p2pfoundation.net/history-commons-qa-chris-carlsson-shaping-san-francisco/2016/07/30#respond Sat, 30 Jul 2016 09:10:18 +0000 https://blog.p2pfoundation.net/?p=58363 Cat Johnson: Shaping San Francisco is a participatory community history project documenting and archiving overlooked stories and memories of San Francisco. A multi-faceted project that’s been going for 20-plus years, Shaping San Francisco hosts bicycle and walking tours of the city, hosts public talks, and maintains FoundSF, a growing online archive to help people discover... Continue reading

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Cat Johnson: Shaping San Francisco is a participatory community history project documenting and archiving overlooked stories and memories of San Francisco. A multi-faceted project that’s been going for 20-plus years, Shaping San Francisco hosts bicycle and walking tours of the city, hosts public talks, and maintains FoundSF, a growing online archive to help people discover and shape San Francisco history.

Among the standout projects in the archive are a history of the now-vanished amusement park, Playland-at-the-Beach, a personal history of the Hunter’s Point riot, a project documenting the history of Sixth Street, a glimpse into the hidden mural at Mission Dolores, and a history of the General Strike of 1934 and the mechanization of the port.

Shareable connected with Chris Carlsson, founder and co-director, along with LisaRuth Elliott, of the project. We spoke about the importance of looking at the social, political and ecological elements of history, how history belongs not in dusty old shelves, but as a part of our everyday lives, and the need to see our shared history as a commons that we all contribute to and draw from. Here are the highlights of our conversation.

Shareable: Before there were online archives, Shaping San Francisco was collecting stories, photographs and local histories—originally putting them onto cd roms and even a book. What sets Shaping San Francisco apart from other history projects?

Chris Carlsson: Shaping San Francisco always served a dual function of being a place where you could learn about history by browsing and reading and researching. And what sets it apart is all the stuff from unusual sources, such as oral histories and obscure publications. It comes out of the radical tradition and includes radical publications. Content and photographs from a lot of underground publications have been freely used on our site.

When people look for the history of San Francisco, they end up on our site eventually. We have no pretense that we have the final answer or the final say about much of anything. There’s lots of stuff we’re really good at. We’re really good at ecological history; we’re really good at labor history; we’re really good at social history that most people don’t cover or leave out.

We come out of that long tradition that looks at history over a longer period of time and situates it in a geographic place—the multitude of human experience in that place over time, including the cultural experience as well as the geographic and economic experiences.

We feel like we’re part of this river that is looking at history from below, and history as a creative act. Our motto is that history is something we do together. People think of history as a pile of dusty facts in a file cabinet, and only specialists know how to find the facts. We try to fight that tradition. We’re trying to create resources for future historians, as much as we are using the history that we’ve already received by bringing them forward and put them in critical context with each other.

We go to a place and peel back the layers and talk about the landscape beneath the cement, because it’s still there. Once you point that out to somebody, you’ve changed their imagination about the urban life they’re living forever. We call it an ecology of critical thinking. If there is an agenda for the project, it’s to get people to think critically about the city.

San Francisco sand dunes. Shaping San Francisco brings together the social, political and ecological history of the city. Photo: Willard Worden, courtesy OpenSFHistory.org

You use oral histories from ordinary San Franciscans to help people understand what you describe as the “complex fabric of life at various times in history.” In what ways do you see this project shaping or influencing how people see and experience the city?

It’s important for people to understand that nothing is or was inevitable at any given moment. There are always points of contestation along the way. The more you can excavate those episodes of clashing, you can try to make some sense of what that was about. There are always multiple points of view and we’re happy to accommodate conflicting views of history

It’s hard to get the different views of history. One of the reasons is because so many people who do have something to contribute to history are self-disqualifying, thinking that they don’t write or they don’t have anything to say.

Beyond that, there’s the importance of demonstrating the malleability and ephemerality of the physical environment, that seems so permanent and timeless. A lot of our work is to show how recent it is, and how short-term it is, and how quickly it disappears

Then there’s the social contestation and the social relationships. They’ve changed again and again. How we produce together at work, who controls it, what the agendas are, what kind of work is done, who has the money and control of land, what decisions get made in this city that effect the entire Pacific Rim, etc.

We help people begin to understand how we shape our narrative of history. It’s not a “great man” theory of history, it’s a theory of conflict and contestation being key to understanding points of divergence, points of opportunity, points of creativity as human beings working together. Collective possibilities are inherent in every moment. The more you can recognize them behind you, the more you might recognize them in the present and it will allow you to make different decisions about how to affect the future.

The face of San Francisco is changing rapidly, as people—some of whom have lived in the city for generations—are pushed from it, unable to afford to live there. What kinds of stories are being told on Shaping San Francisco about this shift?

I live in the Pigeon Palace. We’re already an example of minor success at resisting this tidal wave of displacement that’s going on in the city. We became a land trust a year ago and got Office of Housing money that helped buy this building and help maintain our cheap rent and our ability to stay. It made us unevictable. That’s been a great boon for my ability to do this work, because I get paid hardly anything to do this.

If I had to pay San Francisco rent, I would be gone and this project would be grinding to a halt. It’s very nice of the city to figure out a way to help me, and others who are major contributors to San Francisco’s history stay.

Cheap rent is the key to an interesting culture so when we talk about the displacement that’s going on in San Francisco right now, we are talking about the gutting of a culture. The curious question is, after this boom busts, which it will, because they always do, is, what will be possible to pick up from the wreckage afterwards?

A lot of my allies and people I want to be here with are gone. It’s a terrible sensation that’s unlikely to be reversed. Since before World War II, San Francisco has always been a mecca for dissenters of different types, whether culturally or sexually or politically or literarily or musically or whatever. They come here and reinvent themselves and reinvent the world. That always was possible because it was easy to find cheap rent in San Francisco. That is gone. They’ve absolutely destroyed that.

Most of the people who come here now are app developers or techies who see the world through technology and spend all their time working. They’re working 10, 12, 14 hour days routinely and think it’s quite OK because they’re going to cash out and move somewhere else. Not very many people do. It’s a whole societal fantasy based on being the winner and the vast majority of people are the losers because winners depend on losers to exist. That’s how society works.

This boom is not all that different from the ones that have come before. There was a huge tech boom in the 1850s. It was the technology of metalworking and metallurgy to serve the needs of the mines, to be able to wash away the mountains of California. They essentially washed away the equivalent of eight Panama Canals worth of debris into the Central Valley. It’s an ecological consequences we’re still living with.

Sit-in during SF State College strike, 1968. Photo: Jeffrey Blankford

It seems to me that, as the demographic and landscape of San Francisco is changing, telling the stories of the city and its inhabitants becomes more important than ever. Is that how you see it?

One of the things that gave rise to this project is that we live in an amnesiac culture, and that’s no accident. There’s a systematic effort to eliminate a sensibility of continuity to the past in American culture that’s rooted in the earliest periods in America. It was about turning your back on where you came from and what you used to be and what you used to do and reinventing yourself as something different.

California and San Francisco, in particular, are the exaggerated versions of that. It’s only more exaggerated than ever in that it’s so deeply rooted in the culture to look forward. We tell ourselves that we’re unmoored from the past and we’re unmoored from an ethical connection to what’s happened before us.

For us, this project was always about confronting that amnesia head-on. Calling it what it is and calling out who benefits from it and why it’s a systematic effort to inculcate it in our culture.

There’s an interesting goal for Shaping San Francisco to “define a new kind of public space around a shared interest in our interrelated social histories.” What does this mean to you?

We think of it as a history commons. The idea is that history is, and should be, something that we collectively share and participate in. No one owns history. The problem is that, for most people, history gets locked up in archives and in books and they can’t get it.

Luckily, recently, archives have become much more open. Most archivists who have entered the field in the last 10 years understand that their mission is to get their archives in use and in the public eye, and not locked up. We’re excited about that because we were part of the effort to blow them open for years.

I respect and honor a living artist or photographer or writer’s need to control their art and make a living. But, if it’s a family claiming that they get residual royalties forever and ever from their 19th century grandfather, I think, give me a break. It’s our job to challenge that.

The whole world is moving toward openness and access. The history commons is a public space in which people both shape it by contributing to it and critically engaging with it, and consume it openly and freely and reuse it.

This participatory aspect of the project is very exciting. By engaging everyone in the creation of our shared history, you draw in a very human element. What kind of community has been built around Shaping San Francisco? Who do you see contributing the most to the project?

There have been a lot of bursts of contributions from individuals over time. Several hundred people have contributed material to the project, including Dick Walker, a well known geography professor at UC Berkeley. He recently gave us all of his writings.

We don’t get that many interesting essays or well-thought out collections from just average citizens. My role as curator and director of the project is to seek out what we want.

Looking south along Dolores Street after the devastating 1906 quake and fire, viewed from today’s Mint Hill above Market.

What’s the big picture for Shaping San Francisco? What would you most like to see happen?

We’re in a consortium of other community history groups that has met the last two years. A year ago, I realized that we live in this city that’s the epicenter of new economy and the new economy is all based on networking and memory. We live in a city that can’t even realize that we have a network museum.

There are all these efforts going on throughout the Bay Area that are, together, preserving and enhancing the collective memory of the city. And there’s not one dime of public support for it. Almost all of it happens for free by people working in their garages in their spare time. We’re just one group of many.

We are the Department of Memory. Let’s start branding ourselves that way and do an inventory of all the resources that exist. There are plaques and installations all over the city, on sidewalks and waterfronts, museums. I’d like to advance the concept that it’s a network museum that exists in multiple locations around the city.

It’s crazy how underfunded we are. The grandiose vision is to get the city of San Francisco—that is to say public dollars—to finance the work that is going on to some extent. We don’t need to be paid top dollar salaries, but just give us something to work with.

A lot of the groups have no place, so why not finance three or four storefronts throughout the city that could be programmed by neighborhood groups that are already doing the work. We want to facilitate that process. It’s about taking what exists and enhancing it by showing how it’s already there, then expanding it.

The simple version is to create the San Francisco Department of Memory, which is an autonomous grassroots network of social history groups doing the work, funded by public tax dollars provided by the city, to present history to its own people.

If you propose something like this, the first response is that you should find a corporate sponsor. I refuse to be a billboard. We have never been one and we never will be. It’s just not happening and I’m not participating in that corporate or religious propaganda. I believe that the public has a right to its own memory. It’s very difficult to do it on a volunteer basis, although I have done it for 20 years. I’m willing to do it for the rest of my life, but I don’t know if that means that there’s a big future for the past

Anything you’d like to add?

Our project has been free from the beginning. It always has been, it always will be, and we love that. We are also desperately in need of support. We try to encourage people to think of this as a public utility. We’re all paying a lot of money every month to entities we really despise. It would be nice if people took that same level of commitment and responsibility towards a resource like what we produce. You can’t believe how much we can do with so little.


Cross-posted from Shareable.

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Fraternitas Mercatorum : the political origins of brotherhood in the merchant and craft guilds https://blog.p2pfoundation.net/fraternitas-mercatorum/2016/07/27 https://blog.p2pfoundation.net/fraternitas-mercatorum/2016/07/27#comments Wed, 27 Jul 2016 08:00:00 +0000 https://blog.p2pfoundation.net/?p=58330 Fraternity is a key Western value since the time of the Greeks… But how did it become the yearning of the urban masses to the point of forming a triad with freedom and equality? In order to rescue the following story in this series, we will travel with Henri Pirenne to the times of the... Continue reading

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Fraternity is a key Western value since the time of the Greeks… But how did it become the yearning of the urban masses to the point of forming a triad with freedom and equality?

In order to rescue the following story in this series, we will travel with Henri Pirenne to the times of the birth of the merchant class and the rise of the arts between the tenth and fifteenth centuries. Pirenne was one of the great historians of the Middle Ages, and although his work focused on what would later become Belgium, the story we are interested in affects all Western Europe, because:

The “brotherhoods,” “charities” and commercial “companies” of the Romance-language countries are exactly analogous to the hanses and guilds of the Germanic regions. There is even a similar organization in Dalmatia. What has dominated economic organization are in no way “national genius,” but social needs. Primitive trade institutions were as cosmopolitan as the feudal ones.

So let’s go to the 10th century. The first merchants don’t have the glamor of their Renaissance descendants:

The sources allow us to get an accurate idea of trade groupings that, from the tenth century onwards, are becoming more numerous in Western Europe. You have to imagine them as armed gangs whose members, armed with weapons and swords, surround the horses and carts loaded with sacks, bales, and barrels.

caravanaThey are armed because their life is nomadic and risky, constantly subjected to the dangers of the trips of those times.

In the same way that the navigation of Venice and Amalfi, and later, that of Pisa and Genoa, make far-reaching voyages from the start, mainland merchants spend their lives wandering through vast areas. It was the only way for them to obtain significant profits. In order to be able to sell at high prices, they had to travel far to the areas where products were in abundance, in order to then be able to resell them profitably in places where they were scarce, and therefore more valuable. The farther the merchant’s trip was, the more advantageous it was for them. And this is easy to understand assuming that the profit motive was powerful enough to counteract the fatigue, the risks, and the dangers of a wandering life, exposed to all hazards.

It is this continuous and dramatic risk that strengthens the social cohesion of the group. Neither can survive without the other. They themselves are considered a phratry, a group of “brothers”:

The standard-bearer marches at the head of the caravan. A boss, the Hansgraf or Dean, assumes command of the company, which consists of “brothers” united by an oath of fidelity. A strong spirit of solidarity encourages the whole group. Goods are apparently bought and sold in common, and profits distributed in proportion to the contribution made by each to the association.

This new kind of real community collides with the prevailing values at the time due to its nomadism and meritocratic ethos.

Other than in winter, the merchant of the Middle Ages is permanently on the road. Interestingly, the English texts of the twelfth century called them “dusty feet” (pedes pulverosi). These wandering beings, these vagrants of commerce, must have amazed the agricultural society with whose customs it clashed, and where there was no place reserved for them, due to their extraordinary lifestyle. It represented mobility among a people with strong bonds to the land. It introduced, in a world faithful to tradition and respectful of a hierarchy that determined the role and range of each class, a calculating and rationalist mentality for which fortune, instead of being measured by the condition of man, only depended on his intelligence and energy. We cannot be surprised, then, if it caused scandal. The nobility had nothing but contempt for those foreigners, whose origin was unknown and whose insolent fortune was unbearable. It was enraged for seeing them in possession of larger amounts of money than them; it felt humiliated by having to rely, in difficult times, on the help of these new rich.

Nor will the Church approve of them:

As to the clergy, their attitude to traders was even more unfavorable. For the Church, commercial life endangered the salvation of the soul. The trader, says a text attributed to St. Jerome, can hardly please God.

Freedom as identity

mercaderes urbanosBecause the merchant is a freedman who breaks the social scale, an upstart son of servants who “improves without improving his blood”:

The legal status of traders eventually provided them, in this society for which they were original for so many reasons, a totally unique place. Due to the wandering life they led, they were foreigners everywhere. No one knew the origin of these eternal travelers. Most came from non-free parents, whom they abandoned very young in order to live a life of adventure. But servitude is not pre-judged, it must be proved. The law establishes that a man that cannot be assigned to a master is necessarily free.

It so happened that it was necessary to consider traders, most of whom were undoubtedly sons of servants, as if they had always enjoyed freedom. In fact, they became free by loosing their attachment to their native soil. Amid a social organization in which the people were tied to the land and each member depended on a lord, they presented the unusual spectacle of going about without being claimed by anyone. They don’t demand freedom: it was given to them as a result of the impossibility of showing them that they did not enjoy it. In a way, they acquired it by use and by prescription. In short, just like the agrarian civilization had made the peasant a man whose habitual state was slavery, commerce allowed the merchant to become a man whose habitual state was freedom.

ciudad medievalGradually, fairs and markets become stable, and with them, the presence of merchants-artisans:

For these newcomers, association was the surrogate, or even the substitute of family organization. Thanks to it, a new, more artificial and at the same time simpler social grouping emerged among the urban population, together with the patriarchal institutions that had prevailed until then.

The artisans/traders didn’t recognize children of a marriage of a slave and a freedman man as subject to bondage. Moreover, if a servant came to town and was accepted as an apprentice, he was freed, for all practical purposes, and protected by the community. The law allowed the Lords to claim the children of mixed marriages or urbanized servants, but,

For the trader, the mere idea of such interference must have seemed monstrous and intolerable.

The arts and equality

Enter the arts. Their aim is to consolidate, through economic equality, that which originally had been a close cooperation between different “bands” of merchants/artisans to ensure survival. Within each art, competition was regulated to the point of making revenues and way of life equal for all members.

Among these men of equal profession, equal fortune and equal longings, close ties of friendship were created or, to use the expression that appears in contemporary documents, of fraternity. A charity was organized in each trade: brotherhood, charité, etc. The brothers helped each other, took care of the livelihood of widows and orphans of their comrades, jointly attended the funerals of the members of their group, participating side by side in the same religious ceremonies and in the same celebrations. The unity of feelings corresponded with economic equality. It constituted their spiritual guarantee, while reflecting the harmony between industrial legislation and the aspirations of those it was applied to.

The Arts were real communities, groups of artisans/merchants who knew each other and reproduced and developed in their organization a specialized expertise of their own. But their weight in cities is such that their lifestyle becomes the spirit of the city itself:

Rural organization was patriarchal. The idea of paternal power gave way to the concept of brotherhood. The members of the guilds and the charités already called each other brothers, and the word passed from these associations to the entire population, “Unus subveniat alteri tanquam fratri suo,” says the “keure of Aire”: “one shall help the other as a brother.”

Taking fraternity to city government

And that’s when the fraternity that characterizes the arts inwardly starts to become a project and a political myth, together with the demand for freedom associated with the end of the “right of womb” and their practice of internal egalitarianism. Their way of materializing this was simply hacking the feudal order by occupying public services, taking them for themselves:

They were no longer content with their corporate competencies. They dared to assume public functions and, facing no opposition from the authorities, usurped their place. Each year in Saint-Omer, the guild allocated its surplus revenues to the common good, that is, to road maintenance and construction of gates and walls in the city. Other texts suggest that something similar happened, from very ancient times, in Arras, Lille, and Tournai. In fact, during the 13th century, the urban economy in these two cities was controlled, in the first, by the charité Saint-Christophe, and in the second, by the count of the Hansa.

Officially, it had no right to act the way it did; its intervention is explained by the cohesion that was reached by its members and the power they had as a group

And by then the committees mercatorum of Carolingian times has already become Count of the Hansa, a title that did not come from royal or feudal merit, but from a tradition that was based on the very organization of the original caravans of merchants.

mercadoThe contradictions between the first urban patricians and the arts will not take too long to arise. The latter would eventually end up openly fighting for the representation and the the power to organize the cities. In Liege, they will earn it intermittently beginning in 1253, and definitively as of 1384, and in Ghent, intermittently during the thirteenth and fourteenth centuries until the fifteenth.

This brings about a novel form of political legitimacy: the judges of the boroughs exercise power on behalf of the communitas (community), or the universitas civium (all citizens), and not on that of the civil Prince or the Church, but neither on that of the fraternity or brotherhood that binds together the artisans and builds the obligation to belong to a trade to exercise full citizenship (as in the Florence ruled by the arts). The community, however, was not defined in a trivial way. On the contrary, it required an identity and strong material relationships of each to the whole.

In the cities where there were courts, as well as in those lacking them, citizens were a body, a community whose members were all in solidarity with each other. Nobody was a bourgeois without paying the municipal oath, which linked him closely with the rest of the bourgeois. His person and property belonged to the city, and both could be, at any time, required if need be. You could not conceive the bourgeois in isolation, nor was it possible, in primitive times, to conceive of man individually. At the time of the barbarians, one was considered a person thanks to the family community to which one belonged, and one was a bourgeois, in the Middle Ages, thanks to the urban community that one was part of.

Fraternity, which was born as the characteristic relationship among caravan traders, had grown to define the foundation of the body politic. The result in Liege — according to Pirenne, “the most democratic system that ever existed in the Netherlands” — required that

All major issues should be submitted to the deliberation of the thirty-two guilds, and settled on each of them by recess or “sieultes” (verbal process through which the discussions of the diets are deposited.)

Urban communitas is actually a confederation of arts in which, although the commitment of each is made towards the whole city, deliberation and decision remained in the space where relationships did not require mediation or representation.

Conclusions

triada republicanaBrotherhood as a political myth is born of mutual aid among medieval merchants and artisans. It meant bringing the open and strongly cohesive logic of the arts to the government of the bourgeois city. This is why it would become the longing of the urban popular classes, but as we shall see, with the dilution of the rigid organizational framework of the art, the original idea of fraternity is transformed and becomes confused. It will no longer be the product of a series of interactions among peers that scale only through the guild confederation.

In the next installment, we will go back to the Greek classics to understand why “fraternity,” even if it remains one of the founding values of European political thought, became so difficult to define.

Translated by Alan Furth from the original in Spanish.

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Who is creating the future nobody wants? https://blog.p2pfoundation.net/creating-future-nobody-wants/2016/06/24 https://blog.p2pfoundation.net/creating-future-nobody-wants/2016/06/24#comments Fri, 24 Jun 2016 09:46:51 +0000 https://blog.p2pfoundation.net/?p=57272 Article by Joe Brewer Here’s an amazing fact: It’s 2016 and humanity is collectively moving toward a future that nobody wants. We are literally going somewhere that will hurt every single one of us. Mass extinctions are terrible things. Impoverished societies create the conditions for radical extremism and violence. Depleting top soils create food insecurity... Continue reading

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Article by Joe Brewer

Here’s an amazing fact: It’s 2016 and humanity is collectively moving toward a future that nobody wants. We are literally going somewhere that will hurt every single one of us.

Mass extinctions are terrible things. Impoverished societies create the conditions for radical extremism and violence. Depleting top soils create food insecurity and mass starvation. Debt-bloated economies become unstable and easily collapse. Extreme shifts in climate cause millions to become refugees. These kinds of things — all of which are becoming more likely with each passing day on our present course — are bad for business, harmful for parents raising their children, damaging to the psyches of people rich and poor, and downright devastating to non-human life.

Billionaires don’t fare well in a world where starving billions could storm the barricades to get food and shelter. Sick people create conditions for the spread of disease. You see what I’m painting here? It is all connected and the global crisis is arising because we have yet to realize this deep truth about the world we live in.

Then WHY IS IT that humanity is going in this very direction right now? Simply put, it is because the “powers that be” are disconnected so profoundly from reality that they have no idea what they are doing.

Elected officials in high office? These days they are bought and sold by the highest bidders. They only care about staying in power.

Corporate CEO’s at multinational companies? All they care about is playing financial incest on each others’ boards, enriching each other with golden parachutes and year-end bonuses.

Everyday people? They are just going about their lives, doing what their cultures tell them will lead to a good life. They just want to live and be free.

And yet, here we are. In late May of 2016 there are more greenhouse gases pumped into the atmosphere each year than ever before. The human population continues to grow at an exponential pace. And we are literally consuming the trees, rivers, and grassland meadows of the Earth.

What if it didn’t have to be this way?

The future isn’t written yet. We still have time to change it, but only if we know what we want.

Now imagine what kind of future most people do want. We would like to be healthy and happy, have time to pursue our passions, become skilled at doing things we love, and — of course — give abundance to our children who will inhabit the earth after we are long dead and gone.

It’s so simple in so many ways. Human beings enjoy leisure and human contact. We find pleasure in being seen and loved by others we care about. It is in our nature to be social, to make music and art, to make love and seek pleasure. Nowhere in our genetic code are we wired for destruction of all-things-sacred in the world.

And it is in this gap — between that which currently is and that which could possibly be — that I find deep hope for the future of humanity. My friends have written about the singular ideology that currently dictates core logics of the global economy. They describe how we are taught to believe in the rugged individual, a human island in the vast sea of self-reliant possibilities.

Yet no man (or woman) is an island. Each of us is born precariously fragile from a mother’s womb. We would quickly die in those first few years if caregivers were not ever-present to feed us, wipe away our excrement, and protect us from harm. Human beings are deeply social creatures. We arise from the natural world and are profoundly immersed in webs of dependency from the first drawn breathe to the last wavering exhale.

The sciences of human nature tell us much more than this. Not only are we social beings, we are also deeply moral in nature. A sure-fire way to piss us off is to be unfair, dominate or oppress us, or take more than your share. Which begs the question: Why is it that wealth and power inequality are the norm today? The answer can be found in the annals of research on hunter-gatherer societies. Our ancestors — once upon a time in the distant past — were strong males who ruled by physical domination (just as silverback gorillas do today).

But there came a time, several million years ago, when hunting technology combined with a good eye and agile shoulders. Some of our ancestors got together and ganged up on the dominator males. Throw rocks from multiple angles in an ambush attack and even the largest silverback can be taken down. Herein lies the great secret of democracies the world over. We use our ability to form collectives (and act as teams) to out-compete the lone bullies who would otherwise take more than their share.

Of course, a key difference between those ancestral times and today is that societies were much smaller then. Everyone knew everyone else. If someone was abusive or prone to cheating, word would get around quick. All of this changed with the advent of complex societies some 8,000 years ago. Empires were born around the settlements of agriculture. Strong men could organize wannabe strong men to form elite cabals and wreak havoc on the newly forming masses. They ganged up on the rest of us and have been dominating the game ever since.

Fast forward to today and you’ll see how our amazing ability to learn from each other and build upon what came before (called “cumulative” culture by the experts) made it possible for empire-builders to refine their craft. They invented things like corporations, accounting and bookkeeping, and the government control of property rights granted to those with existing wealth. This is what we call capitalism today.

For more on how capitalism actually works, see here…

And so it became possible to weave systems of dominance, wealth extraction and hoarding. Those who sought to have the most were able to invest in media institutions, marketing and advertising and make the greedy aspiration of the super-rich a run-of-the-mill aspiration for everyday working folk.

This is how it came to pass that we collectively began to serve power structures in the present that create the conditions for that future world no one wants. If we are to change course, we will need to understand how we got here. It will be necessary for us to pull back the veil and see how systems of wealth hoarding hide in our minds. We will have to understand how the stories that organize our lives are broken and begin to replace them with better alternatives.

And all of this is about healing. Capitalism is dying (can you feel it?) and it is our collective choice whether we die with it.

Now is the time to consciously introspect about what kind of future you want. If no one wants the one we are creating now, it might just be a good idea to start seeking common ground, explore shared intentions, and discover ways forward that the majority of us can agree on. We can cooperate together around these themes and overtake the would-be dominators at the helm today. Change the rules of politics and economies to serve all of humanity and life on Earth.

That will require a credible knowledge of human nature. And it will take some serious visionary thinking about how to get from here to there. I am up for the challenge!

How about you?

Onward, fellow humans.


Cross-posted from the Rules.org

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The ethics and politics of abundance https://blog.p2pfoundation.net/the-ethics-and-politics-of-abundance/2015/09/07 https://blog.p2pfoundation.net/the-ethics-and-politics-of-abundance/2015/09/07#respond Mon, 07 Sep 2015 10:57:31 +0000 http://blog.p2pfoundation.net/?p=51805 While there is no “politics of abundance,” no theory of the State, there does exist the possibility of living in accordance with an ethic of abundance, an ethic that contributes to emancipation from scarcity and uncertainty. Until recently, the words “progress” and “progressive” reflected a relationship with concretely making abundance. “Progress” was that which advanced... Continue reading

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While there is no “politics of abundance,” no theory of the State, there does exist the possibility of living in accordance with an ethic of abundance, an ethic that contributes to emancipation from scarcity and uncertainty.


Until recently, the words “progress” and “progressive” reflected a relationship with concretely making abundance. “Progress” was that which advanced us on the path towards a society of abundance, and “progressive” that which drove that development. If “progress” was associated with a set of policies, “progressivism” was an ethic, a way of being that presaged a new culture and human experience. Progress was what opened factories or what led a country to leave the the regime feudal behind and modernize. Progressive was defending universal suffrage, women’s equality, or universal schooling. The whole Left and a part of the Right—classical liberals and industrialists—were considered progressive. The opposite of progressive was “reactionary,” the word that defined those who longed for the world before the French Revolution: Carlists [royalists], clerics. Soon, in practice, it became an insult.

picasso, aragon, etc con stalinBut if it was pretty clear in the 19th century what “progress” meant, shamefully, those who made the most use of the term in the twentieth century were doing so from a strategy that was concrete… and wrong. For them, there was a shortcut towards abundance: state capitalism. In practice, from the ’30s to the ’80s, because of the influence of the Communist Parties, everything that gives more powers to the State or puts more and more parts of social life under its control and guardianship is considered “progressive.” This equates progressive with statist, and nationalism and “struggles for national liberation” are legitimized independent of whether or not they serve development. Only in the ’70s, when the Left starts to incorporate feminist demands, does “progressive” start to gain nuances that are favorable to personal freedoms and sovereignty over one’s own body, which will be expanded in the ’80s to include early environmentalism. With the collapse of the totalitarian States in the Soviet orbit, and with them, the Communist Parties that were affiliated with them, “progress” and “progressive” were blurred definitively. It went to describe more of a “who,” a social group defined aesthetically, than a “what.” With the new century, the destruction of meanings reached the point of including in the term the partisans of degrowth, the radical opposite of abundance.

How progress got away from progressivism

An example of how “progressivism” distanced itself from progress at the turn of the century is the debate on intellectual property. Since the ’30s, an essential part of the positions of the pro-Soviet Communist Parties in Western Europe was representing themselves as a “front of the forces of work and culture.” In practice, the inclusion of intellectuals meant defending all manner of State rents for artistic creation: subsidized culture, but also a reinforced copyright system. The argument for this was purely conventional: State monopolies for creation and invention would favor innovation and therefore “progress,” since the consequent development of productivity would bring us closer, step by step, to abundance. But the emergence of distributed networks will demonstrate the opposite. This will be obvious even for academics, when, beginning in 2000, Boldrin and Levine’s theoretical models first and Heidi Williams’ empirical evidence about the effects of patents later make it clear that in the world we live in, intellectual property only serves to create shortages artificially.

edificio solarGenerally, everything about centralization or monopoly means rents. And by now, we know that abundance is fed by distributed networks and the dissipation of rents. The famous “progressive policies,” today, would be practically the opposite of the traditional ones from the “progressives” of Left and Right: rather than feeding rents, reinforcing monopolies and building larger business scales and reinforced national identities, which is to say, rather than create scarcity artificially, they would be about removing obstacles to abundance. Progressivism today would take devolucion seriously, work for a distributed electrical system, confront State rents and the regulations custom-made for big businesses… and of course, pursue freedom of movement for everyone throughout the world.

Because the truth is that, as in days gone by, possible “progressive measures” exist, but not a “politics of abundance,” a certain way of understanding the State and society’s relationship to it, that make it possible to turn it into an tool of development, thanks to a well-defined ideology. In reality, only concrete measures exist, derived relatively easily from economic analysis, that would seek to avoid having its regulatory power became a brake on social transformation.

Abundance as an ethic of knowledge and emancipation

Propaganda-style posterThat’s why, more than developing a political theory, accepting the logic and the objective of abundance asks us look deeper into its consequences from the ethical point of view.

The starting point should be establishing that if abundance can appear as an attainable objective in History, it is through the development and extension of knowledge. Every ethic of abundance, and by extension every emancipating ethic, must revolve around it.

Such an ethic cannot be predatory or individualist, because is not Nature or others we are trying to free ourselves from, because we’re part of a common metabolism, but from scarcity. It is scarcity that introduces uncertainty in our life and forces us to know, and to know, as Dewey said, “effectively.” That’s why knowledge is both the result and the main tool of the human experience and that’s why an ethic of knowledge is also a life ethic, a way of being that express the desire and the enjoyment of living.

But knowledge—and especially social knowledge—is a community act, a distillation that exists in the framework of an experience and contexts that are not, in themselves, universal. An ethic of abundance is a community ethic, oriented to shaping the real community and understanding it not as a constriction of the individual, but as the essential condition of their own development. Because, as the cyberpunks said, “life is a package deal,” a unique thing, a necessarily transformative activity.

And that means two things: the most obvious is that there is no such thing as “living time” differentiated from and opposed to “working time.” Work, transformative activity, is knowledge in action and the action of creating knowledge—theory and practice that are aware of each other. An ethic of abundance is a work ethic motivated by knowledge. The view of work as subjugation, as slavery, is the result of alienation, a separation of ourselves into arbitrary parts, which should not be tolerated, but overcome by providing meaning through making and changing the conditions we live in.

Secondly, it implies that, given that both work and knowledge are community deeds, the essential freedom of the individual is not a impossible “individuality” affirmed at the cost of, or to the exclusion of others, but the freedom to leave any community that does not satisfy us, to create new ones, or to participate in as many as may want to accept us; and also, the freedom to access and use knowledge without obstacles or tolls. Beyond any political or economic arguments, restrictions on the access to and use of knowledge are detestable because they deny the very heart of individual freedom. Said with even more clarity: intellectual property is immoral in itself.

villa locomunaAnd while from this, not only can ethical legitimacy be derived, but the desirability of the greatest community diversity—as long as communities are not coercive and permit members to leave with the greatest ease—it also leads to an understanding of why an ethic of abundance does not look to the State as the main subject of the collective. If knowledge is a community act, and it is, it does not make sense to ask any external entity to do the things we want or provide us with what we need, because we would be depriving ourselves of the experience of making them, which, from the point of view of knowledge, is often as important as the things themselves. Freedom is the possibility of making them ourselves and if it makes sense to demand anything, it would be the withdrawal of obstacles of any kind that prevent us from communally building the tools of change.

Work, which is what we call effective knowledge in action, is the only transcendent possibility for the human race and for the individual. In the human race, it is the thread that unites History and Nature, making abundance possible. As individuals, the only way that we have of transcend our main limitation, death, is to develop that which unites us with Nature through the rest of the species: knowledge. Knowledge that is created or transmitted is, therefore, the true “soul of the human race,” and the only legacy that we can leave as individuals.

ComplicidadThat is why the centrality of possession, “having” things individually and exclusively, can only be seen and felt as another form of alienation, of separation from what’s truly important in life.

Consumption, in such an ethic, is not in itself “bad,” “immoral,” or “unfair,” but simply necessary, if it is significant, if contributes genuine enjoyment to each. Or, it may be unnecessary, incomprehensible, and alienated, if it is not carried out for enjoyment, but as part of social climbing, or as status symbols or markers of belonging. So, yes, by the same logic, it would be immoral to limit the consumption of others, ignoring their tastes and preferences, in the name of certain values. An ethic of abundance sees consumerist behavior as an erroneous substitution, a mistaken response to the loss of meaning in work or one’s community development. It does not, however, see it as something morally bad in itself and rather would respond with classic minimalist “why do you want to have more needs?” A life oriented to the construction of abundance, an interesting life, cannot be based on deprivation or the desire to deprive others. That is a life in poverty, and a life in poverty ends up being a poor life.

And in the same way, a good environment is not an opulent life, but the communal “good life” that, as Juan Urrutia says, “has more to do with the self-realization of the members that make it up that with their material wealth.”

Conclusions

Such an ethic is not a chimera or a luxury reserved for a few. While a “politics of abundance,” a theory of the state, doesn’t exist, there does exist the possibility of living in accordance with an ethic of abundance. The ethics of abundance is an ethic of emancipation, because it seeks serve us by emancipating us from scarcity and uncertainty. It is therefore an ethic of knowledge which values the communal, an ethic which reduces transcendence to contribution, and which is expressed in a “good life” that blurs the difference between time for enjoyment and working time into a significant total time, which is creative and pleasant.

Translation by Steve Herrick from the original (in Spanish)

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A history of abundance https://blog.p2pfoundation.net/a-history-of-abundance/2015/09/05 https://blog.p2pfoundation.net/a-history-of-abundance/2015/09/05#respond Sat, 05 Sep 2015 09:21:40 +0000 http://blog.p2pfoundation.net/?p=51757 A brief tour of the imagining of abundance throughout history, from the Golden Age of the ancients to the P2P production of the current generation. Few ideas have been as powerful and subversive as abundance. For thousands of years, we humans have projected our desires onto it, we’ve been inspired by it to transform our... Continue reading

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A brief tour of the imagining of abundance throughout history, from the Golden Age of the ancients to the P2P production of the current generation.


Few ideas have been as powerful and subversive as abundance. For thousands of years, we humans have projected our desires onto it, we’ve been inspired by it to transform our forms of organizing, and we’ve raised it as the banner of a better future. Free food, the end of labor forced by need, and the end of conflicts and violence due to scarcity have been the image of the world that humans deserve to inhabit for hundreds of generations.

The Golden Age

In hundreds of mythologies all over the world, the myth of the “Golden Age” appears again and again: a remote historical period in which humans, as Hesiod tells us,

[…] had known neither work, nor pain, or cruel old age; they had always kept the vigor of their feet and hands, and were charmed with festivals, far from all of the evils, and their death was like falling asleep. They possessed all goods; the fertile ground produced by itself in abundance; and in profound tranquility, they shared this wealth with the masses of other irreproachable men.

Tiempo de Armonía por SignacSurely, Plato’s insistence on the absence of social classes and State, or perhaps that of Ovid in The Metamorphosis on the absence of agriculture, has been interpreted as a idealized “memory” of the primitive community, which was nomadic and dedicated to hunting, fishing and gathering. But among the many versions, there are those that locate the Golden Age in an agricultural world. And in fact, today, when we know that settling may have had a long “communal” period, it would be fitting to date its origins to a later era and link the myth to the vindication of commonly held lands.

In any case, it was possibly the most influential political myth in Antiquity: by associating abundance with the absence of State and property, it served to present the injustices and miseries of each age as the fruit of a mythic “fall” from which Humanity would recover by abolishing private property and the State… the ultimate program of the social revolutionaries in every age.

We are well aware that primitive human societies did not know abundance. On the contrary, the study of the last groups and cultures that have maintained an economy of hunting and gathering speaks to us of systems where scarcity imposes a total subordination of the individual and their desires to the always precarious and difficult survival of the community. That’s why the myth of the Golden Age is so interesting: it doesn’t talk about a “more just” society, it talks about a society of abundance, an abundance that could only be intuited briefly when the Neolithic Revolution started to create the kind of surpluses that had been unknown until then, when the State appeared, and with it, the first public works, and the productivity of human societies multiplied for the first time.

The Christian Era

Ravena capilla del arzobispo, arte paleocristianoCuriously, while they were born together, egalitarian social ideals would soon be divorced from the dream of an abundant society. Early Christianity would be centered on sharing and would have its glimpses of abundance, but would not be able imagine a world of broad needs covered for everyone. Its monastic versions and its heresies would accentuate this egalitarianism of scarcity to its limits.

The commercial “revolution” of the tenth to thirteenth centuries and the instinctive rejection of the Church of the first commercial bourgeoisie, is seen with ever-greater frequency in this Christian reflection. At first, the Church condemns the artisan merchant and commerce itself, as articulated in theologies of poverty and their rejection of misery. But this misery was produced by the resistance to change in the nobility of which the Church elite was part.

The Church would present the Second Coming as the move to Messianic society where, sated, “the wolf will graze with the lamb.” From there, it kicked the can down to an indefinite future. But fewer and fewer were willing to wait around. New groups sought to promote the arrival of Christ by going to live in community, raising up the egalitarian society of the Gospel. In short order, groups began to slip thorough the Church’s hands: Waldenses, Joachimites, fraticellis, Beghards, flagellants… What’s interesting is that the theological praise of poverty soon became, in the hands of the popular classes, identarian recognition (the imagined community of “the poor”). And this self-identity, accidentally promoted by the ecclesiastical message, in turn, quickly became a rejection of poverty and violent vindication of abundance. The Church soon responded by turning the Franciscans into an order (giving an internal organizational space to poverty), advancing the Dominicans, and the creation of the Inquisition to “repress excesses.” We can glimpse the troubles and confrontations of these “communisms of poverty” with royal and papal power in The Name of the Rose, the novel in which Umberto Eco ironically commented on the Italian Left.

Werner Tübke Batalla de Frankenhausen Detalle con Thomas MunzerThe theologies of poverty would be spread in the Protestant Reformation and would blossom in the peasant wars that would follow it in Germany. The tension between egalitarianism and scarcity would soon become obvious: when Thomas Munzer attempts the immediate establishment of the Kingdom of God, making work and property common, the results would be poor. Like the Anabaptist Hutterites who would follow him and the “Diggers” of the English revolution, who would appear later, everyone—in the case of the Hutterites, down to our days—would distrust technology and its use, and would only be able to build shared poverty.

Of course, we can explore this historical scenario in Q, another parable about the Italian contemporary Left written by the group of writers known as “Luther Blissett” and then as “Wu Ming.”

The era of discoveries

jaujaBut while Christianity continued its own evolution, the development of the first major commercial routes and European fairs would bring a new kind of popular myth that, while it wasn’t really about abundance, was at least about opulence. Then stories begin to appear about the “Land of Cockaigne” and of “Schlaraffenland.” These tales would merge as of of the second half of the sixteenth century with the stories of fabulous wealth that would follow the Castilian conquest of the Aztec and Inca empires, giving way to the stories of the “pais de Jauja” that are still told to children in Spain.

It is then, around the middle of the sixteenth century, when the lower classes of Europe begin to dream of abundance as such. It continues to be significant that this abundance appears as a “deposit” or as a “gift of nature.” Although it is an era of accelerated technological development, innovations are concentrated in sailing, war and engineering, rather than the direct production of goods. The popular classes thus understand abundance as unlimited access to meeting needs and the storehouses of an ever-more powerful crown, not as the development of capacities of their own work.

Vespucio en América, grabado de Théodore de BryIt also links this idea with the Jewish and Christian myth of paradise, a “garden” where it is not necessary to work, not even at gathering, to be sated with as much as one needs. And it shouldn’t be forgotten how far the idea and desire went that the Indies, recently discovered on the first transatlantic voyages, would be no more and no less than the earthly paradise itself. This myth became so influential after Columbus’ first stories that the Castillian crown soon prohibited those who were “of impure blood,” which is to say, the descendants of converted Muslims and Jews, from emigrating to the king’s new lands. And in fact, this association between “original cultures” and “Adam, free from sin,” would have a long run, until, two centuries later, it become Rousseau’s “noble savage,” who, still today, can be sensed behind more than a few narratives exalting the “wisdom” of indigenous peoples.

This environment at the dawn of the European expansion in the Americas would also lead, among the educated classes, to a new political-literary genre. In 1516, Thomas Moore publishes his Utopia. Utopia is not the land of abundance, it is a democratic and patriarchal country, organized as a confederation of cities in which private property doesn’t exist. But, by reviving the idea of egalitarianism and joining it with certain democratic forms, and above all, with material well-being, it would have a tremendous influence on all European political thought. That thought was fated to again encounter abundance.

The era of revolutions

blakeStill, it wouldn’t be until early industrialization and the French Revolution that abundance reappears. Once more, it would not be from the hand of egalitarianism. In all the works of Baubeuf, there is not one reference to abundance. The first reference would not be in rich revolutionary debates, but in an external observer who describes his times with the voice of a prophet. Between 1790 and 1793, William Blake, “mad Blake,” publishes “The Marriage of Heaven and Hell.” For the first time, abundance appears as the result and objective of a revolutionary process.

[…] the whole creation will be consumed, and appear infinite, and holy whereas it now appears finite & corrupt.

But what’s really interesting is that he imagines the change to abundance as a leap to a whole new form of human experience, radically different from that of the world of scarcity in which

Man has closed himself up, till he sees all things
thro’ narraow chinks of his cavern.

To the extent that he understands that scarcity is alienating in itself, he imagines the transition to a new world as a change in the very way that we feel and experience the world:

This will come to pass by an improvement of sensual enjoyment. (…) If the doors of perception were cleansed every thing would appear to man as it is, infinite.

población vs producciónThe world that immediately follows Blake’s book seems to point in just the opposite direction, however. The world at that time is experiencing an accelerated process of specialization and an unprecedented increase in income per capita in the first industrial nations: Great Britain and the US first, and northwestern Europe later. Around 1800, production starts to grow more than the population. Productivity, which had been relatively stable until then, takes off. Early on, it’s a consequence of the application of the new mechanical technologies and of the organization of labor: the steam engine and the factory system are expanding. Growing British power assures a certain freedom of market within their own borders and demolishes the commercial barriers of the old empires, from Spanish America to China. Economic development leads to a true blossoming of science and technology which, in turn, drive knowledge and productivity.

The productive leap is so great that anything seems possible. Abundance seems around the corner, and for the first time in human history, economic crises are not from underproduction, but overproduction. It is in this context that we should understand Marx.

Marx places abundance at the end of the historical process, as the necessary result of the evolution of productivity, which he calls “productive forces.” In his model, the history of human societies is the history of the development of their productive capacity and the moments of political and social transformation, the result of the adaptation of the political and legal systems to the needs imposed by those capacities, by those forces, defended in every historical moment by a characteristic social class committed to making revolution. For Marx, the class of wage laborers was called to “liberate the productive forces” unchained by capitalism from the restrictions that the system of private property and nation-States impose on them. The result, communism, would be a society where productivity would be developed even more rapidly, to the point of making abundance a reality for all.

Despite the monumental size of his work, Marx didn’t leave many texts dedicated to describing the characteristics of the society of abundance. From what he did leave, we can say with certainty that he was the first to imagine a society where the development of productivity would be so high that not only would make possible the end of wage labor, but also, as he writes in some reading notes, could turn work itself into “a free manifestation of life, an enjoyment of life.” The idea, which he develops in The German Ideology (1845), is that, as of a certain level of development of productivity, specialization would simply disappear, and with it, alienation, the new name for that restriction of perception that Blake already denounced.

For as soon as the distribution of labour comes into being, each man has a particular, exclusive sphere of activity, which is forced upon him and from which he cannot escape. He is a hunter, a fisherman, a herdsman, or a critic, and must remain so if he does not want to lose his means of livelihood; while in communist society, where nobody has one exclusive sphere of activity but each can become accomplished in any branch he wishes, society regulates the general production and thus makes it possible for me to do one thing today and another tomorrow, to hunt in the morning, fish in the afternoon, rear cattle in the evening, criticise after dinner, just as I have a mind, without ever becoming hunter, fisherman, herdsman or critic.

Marx would develop the idea of Blake’s “opening of the doors of the perception” and would add to his idea of a society of abundance the dream of the artistic vanguards of the beginning of the twentieth century. The human experience in a society of abundance would be, to a certain extent, an artistic experience.

The exclusive concentration of artistic talent in particular individuals, and its suppression in the broad mass which is bound up with this, is a consequence of division of labour. […] In any case, with a communist organisation of society, there disappears the subordination of the artist to local and national narrowness, which arises entirely from division of labour, and also the subordination of the individual to some definite art, making him exclusively a painter, sculptor, etc.; the very name amply expresses the narrowness of his professional development and his dependence on division of labour. In a communist society there are no painters but only people who engage in painting among other activities.

In his most famous work, Capital (1867), he points out that the development of productivity that capitalism creates “contributes to creating social time available for recreation by each and every one,” even if is through forced unemployment, and that the path towards a society of abundance, the development of productivity, leads to “appropriating” the increases of productivity in a progressive reduction of the time dedicated to produce goods:

[…] on one side, necessary labour time will be measured by the needs of the social individual, and, on the other, the development of the power of social production will grow so rapidly that, even though production is now calculated for the wealth of all, disposable time will grow for all. For real wealth is the developed productive power of all individuals. The measure of wealth is then not any longer, in any way, labour time, but rather disposable time.

In the same book, he would return to this idea of the society of abundance as a hyperproductive society in which human capacities are such that it does not make sense to maintain a life divided between between leisure and work.

It goes without saying, by the way, that direct labour time itself cannot remain in the abstract antithesis to free time in which it appears from the perspective of bourgeois economy. […] Free time—which is both idle time and time for higher activity—has naturally transformed its possessor into a different subject, and he then enters into the direct production process as this different subject.

And in one of his last works, the Critique of the Gotha Program (1875), he would insist on portraying the society of abundance as a stage of socioeconomic development produced by the sustained growth of productivity in which

[…] the enslaving subordination of the individual to the division of labor, and therewith also the antithesis between mental and physical labor, has vanished; after labor has become not only a means of life but life’s prime want; after the productive forces have also increased with the all-around development of the individual, and all the springs of co-operative wealth flow more abundantly.

derecho a la pereza lafargueLet’s stick with the idea that abundance opens a new kind of human experience, a “multifaceted development” of each one, because it will return in the twentieth century as the center of the ideas about abundance. But for the time being, we should underscore Marx’s emphasis on productive capacity. His son-in-law, Paul Lafargue, ended his personal manifesto, entitled The Right to Laziness, with a simplification of this idea:

[…] the machine is the redeemer of mankind, the God who will rescue humanity from the sordidae artes of wage slavery, the God who will give us leisure and liberty.

This vision of the society of abundance as a liberation of humanity made possible by technology wasn’t exclusive to Marx and his milieu. In 1892, Kropotkin publishes The Conquest of Bread, which confronts the Malthusian narrative that sees “indefinite growth” as impossible with the same underlying ideas:

[…] the productive powers of the human race increase at a much more rapid ratio than its powers of reproduction. The more thickly men are crowded on the soil, the more rapid is the growth of their wealth-creating power.

Kropotkin, like Marx, thinks that capitalism would be succeeded by a transitional period—certainly, without a State—in which the implantation of a decommodified economy guided by the needs of people through free confederation, would assure a “good life” to everyone and would develop even more productivity, to the point of reaching abundance, that stage where humans would dedicate themselves fundamentally to “the high pleasures of wisdom and of artistic creation”:

Henceforth, able to conceive solidarity—that immense power which increases man’s energy and creative forces a hundredfold—the new society will march to the conquest of the future with all the vigour of youth.

Leaving off production for unknown buyers, and looking in its midst for needs and tastes to be satisfied, society will liberally assure the life and ease of each of its members, as well as that moral satisfaction which work gives when freely chosen and freely accomplished, and the joy of living without encroaching on the life of others.

Inspired by a new daring—thanks to the sentiment of solidarity—all will march together to the conquest of the high joys of knowledge and artistic creation.

Kropotkin, like Marx, thinks that little can be imagined of a society of abundance: the human experience would be so different, as would the stories that humans would tell about life, which constantly limits itself to proposing forms of organizing for the transition period. He insists that the main task to reach abundance would be to reduce the number of hours of “work considered necessary to live,” which he initially puts at five, as productive capacity is developed and the division of labor is eroded.

los desposeidos ursula k leguinSurely the closest contemporary literary reference to the communities Kropotkin imagines would be those described in 1974 by Ursula K. Le Guin in The Dispossessed. Le Guin shows us a decommodified society, with deep-seated individual and egalitarian freedoms, but—because of external conditioning—basically poor, with a certain centralizing tension and without continued growth like that imagined by the “anarchist prince.” It continues to be interesting, because Le Guin approaches anarchism not from the perspective of abundance, but of egalitarianism. A similar thing would occur with the person who is usually considered the principle intellectual heir of Kropotkin, Enrico Malatesta. Malatesta, in contrast to Kropotkin, doesn’t understand the future society as the result of a possibility opened by the development of knowledge and the transformative capacities of the human race over time. He argues that anarchy is a system possible in any historical moment. That is why he does not associate it with either abundance or technological development, which, in turn, leads him to lose the view of a more complete and complex human liberation, accepting obvious needs imposed by scarcity, like the division of labor:

Certainly in every large-scale collective commitment there is a need for a division of labor, for technical direction, administration, etc.

And in the first half of the twentieth century, marked by the Russian disasters and two world wars, the revolutionary and egalitarian narrative would again separate from the dream of universal abundance. Trust in a horizon of abundance and its path—progress—was linked in the nineteenth century to a sense of wonder about science. But science and technology, which are associated in the 19th century with Verne’s dreams and Pasteur’s vaccinations, in the twentieth would also be associated with war gases, civilian bombings, the greatest genocides in history, and the atomic bomb.

dada berlinSurely because of this, the vindication of abundance during the first half of the new century did not come from scientifist philosophers like Marx or from philosopher scientists like Kropotkin, but from the heterogeneous group of artists and critics that formed the artistic “vanguards,” surrounded by the emergence of the new political movements and marked by the vital urgencies of a society plunged into war. But above all, they are quite conscious that, after the appearance and popularization of photography, art is first and foremost a narrative about the human experience in a historical context. In the first half of the twentieth century, that means proposing a new society. The artist goes from interpreter to prophet.

What the vanguards were pushing was the importance of “multifaceted development” of the individual as a fundamental feature of any society that would proposed to advance towards “true abundance.” This is an element that would gain more and more prominence as the totalitarian development of the Soviet State and the character of its economy become more and more obvious, but also as the economic cycle begun by the period after WWII reaches its end.

The era of well-being

herbert-marcuseIn 1933, while the last vanguardist manifestos are still fresh, Herbert Marcuse, a young German philosopher who had participated as a twenty-year-old in the Sparticist uprising, joins the new “Institute of Social Studies.” He publishes and comments on Marx’s Philosophical Economic Manuscripts. He discovers in them the “young Marx,” enlightened by abundance and the criticism of alienation, but that same year, he would have to leave the Institute—which was already beginning to be known as the “Frankfurt School”—to emigrate to the USA. There, he would work for the war machine and would end up being the head of intelligence analysts for Central Europe of the State Department. In 1952, after being widowed, he begins a life as an academic that would take him through some of the most famous Ivy League universities and would allow him to write two of the most influential books in the ’60s in the US: Eros and Civilization (1955) and One-Dimensional Man (1964).

In the framework of the opulent and conformist US society of the ’50s and ’60s, Marcuse takes up Marx’s old argument, leaving aside all the material needs that make up the “good life” that Kropotkin imagined. He accepts that that “good life” of the road towards abundance continues to be the main philosophical objective for historical change.

Analyzed in the condition in which he finds himself in his universe, man seems to be in possession of certain faculties and powers which would enable him to lead a “good life,” i.e., a life which is as much as possible free from toil, dependence, and ugliness. To attain such a life is to attain the “best life”: to live in accordance with the essence of nature or man.

But Marcuse is aware that capitalism of the postwar period is developing productivity in a way that both Marx and Kropotkin thought would only be possible after the revolution. The “good life” of US well-being—which would soon have a European social-democratic echo—produces an acritical and demobilizing consensus that is too similar to a diffuse and generic totalitarianism to be able to find in it a promise of true abundance. Tied to the limitations of Marxist economic theory, Marcuse finds himself in a basic contradiction that his readers in the French May would turn into a famous slogan: “be realistic, demand the impossible.”

At its most advanced stage, domination functions as administration, and in the overdeveloped areas of mass consumption, the administered life becomes the good life of the whole, in the defense of which the opposites are united. This is the pure form of domination. Conversely, its negation appears to be the pure form of negation. All content seems reduced to the one abstract demand for the end of domination—the only truly revolutionary exigency, and the event that would validate the achievements of industrial civilization. In the face of its efficient denial by the established system, this negation appears in the politically impotent form of the “absolute refusal”—a refusal which seems the more unreasonable the more the established system develops its productivity and alleviates the burden of life.

Fearful of economic development in itself, he equates abundance to what puts Marx in line with Blake and the vanguards: the beginning of a new sensibility, a new form of perception. To emancipate oneself from culture—an idea for which he resorts to Freud—and turn life, as the vanguards said, into an artistic project, would be a development beyond the rationality of today’s relations of production.

The advancing one-dimensional society alters the relation between the rational and the irrational. Contrasted with the fantastic and insane aspects of its rationality, the realm of the irrational becomes the home of the really rational—of the ideas which may “promote the art of life.” If the established society manages all normal communication, validating or invalidating it in accordance with social requirements, then the values alien to these requirements may perhaps have no other medium of communication than the abnormal one of fiction. The aesthetic dimension still retains a freedom of expression which enables the writer and artist to call men and things by their name—to name the otherwise unnameable.

The movement towards abundance, for Marcuse, can only be an artistic movement of those who feel dispossessed, not of basic well-being, but of the hope of find meaning in life and the world; those who are outside of an economic rationality that Marcuse understands is perfectly capable of perpetuating itself, of exceeding all limits. The central idea in Marcuse is that the development of knowledge and science no longer brings us closer to abundance, but rather, pushes it further away, substituting it with the control of a totalitarian consensus based on consumerist well-being.

Boulding en 1956What’s interesting is that, not very far from Marcuse, and while he is writing his most relevant works, an economist as far as possible from the Marxist economy is laying the foundations to disassemble the theoretical “ceiling” the “Frankfurters” have reached.

Kenneth Boulding, the father of the General Theory of Systems, a Quaker and pacifist, had a spirituality that was greatly influenced by Teilhard of Chardin. Following the path of his teacher, he would be the first theoretician to incorporate the evolutionist perspective into economic analysis.

In radical opposition to Marcuse, Boulding rescues the role of knowledge and in Economic Development as an Evolutionary System (1962) restores its centrality, allowing him to articulate the relationship between History and Nature.

This whole process indeed can be described as a process in the growth of knowledge. What the economist calls “capital” is nothing more than human knowledge imposed on the material world. Knowledge and the growth of knowledge, therefore, is the essential key to economic development. Investment, financial systems and economic organizations and institutions are in a sense only the machinery by which a knowledge process is created and expressed.

In this context, the important thing about the analysis, like for every evolutionist influenced by Chardin and his omega point, is what happens at the “limit,” wherever the trend leads us. For him, the limit, which occurs in the definable limits of a system, is especially important. And at the limit, the omega point of an economy of perfect markets is the end of the economic problem: abundance.

That same logic of the limit would allow him to define the key of why and how capitalism of over-scaled corporations that intimidates Marcuse is not an endless alternative path, but only another moment on the road towards abundance. In The Organizational Revolution (1953), Boulding had already given us the tools to understand what, decades later, we would call crisis of scale, modeling how macro-organizations, in spite of the development of communications technology, create inefficiencies as of a certain point of criticality that move into the whole economy through the rigidity of prices, weakening the ability of the market to reach efficient equilibria and placing the weight of the economic system in such a state that Big Businesses would see it more and more as an objective to capture, as a source of the regulatory and direct rents on which, in the end, they depend.

The Network Era

The final decades of the twentieth century would be marked by the emergence of information technology and distributed networks. Originally born of the need to reduce the inefficiencies created by excessive scale, their massive popularization in the ’90s creates new social phenomena and makes visible the first cybercultures that had been maturing since the ’70s at the crossroads of the libertarian counterculture and technological exploration.

In 2001, Pekka Himanen publishes The Hacker Ethic and the Spirit of the Information Age. In it, he describes the culture of free software developers: A set of values in which the idea of private property is dispelled, knowledge is in itself the principle engine of work, and in which the separation between leisure and work seems to have been overcome. The hacker world becomes a myth of abundance. It is still seen as a big island in the middle of an industrial world, but it shows the promise of abundance at the end of the world the Internet is creating.

juan_urrutiaBut Himanen is not the only one who knows how to see the promise contained in the new cultural forms. At the end of the ’90s, a chance meeting happens: Juan Urrutia, a disciple of Boulding and Marcuse, is beginning to work with the cyberpunks, with whom he would later found las Indias.

The first result of those conversations would be “The logic of abundance” a essay published at the beginning of 2001. In it, distributed networks and network effects appear for the first time as the economic foundation of abundance.

Urrutia would take up the Bouldinian idea of the importance of the limit and therefore of abundance as a result at the limit of a capitalism cleansed of corporate rents in The Coming Capitalism, published in installments between 2003 and 2008. A new concept, the dissipation of rents then serves as a link between the glimpses of abundance that characterize the emergence of distributed networks and the “de-marketized economy” with which Urrutia has characterized the economic analysis of a society of abundance, and which serves to address “Boredom, Rebellion and Cybermobs” (2003), processes of forming and changing consensus in identarian networks.

But Urrutia is not satisfied with building this unique bridge between the changes that he is experiencing in the first person and the society that he glimpses as possible. He extends the hacker ethic first to a “spirit of the bricoleur” that goes far beyond the world of software related by Himanen. He thus precedes the first narratives about “maker” world by nearly a decade, and foresees a growing “multi-specialization” that brings the “bricoleur” to the world of production. At the limit, this movement means the end of divisions in production and with them, the “change in perception” that we saw begin in Blake. This scenario leads him to give a progressive importance, beginning in 2014, to the distinction between knowledge^—born of the need to transform, and wisdom—the result and objective of the “good life” that the glimpses of abundance of a new communitarianism make more and more possible.

Sistema de producción p2pIn parallel and almost as publicists, the Indianos publish the Network Trilogy, whose first installment, “The Power of Networks” accentuates the influence of network topologies on forms of social and political organizing throughout history. This trilogy, published between 2005 and 2010, would culminate with The P2P Mode of Production (2012), a manifesto that presents productive examples of Urrutia’s model of “identarian communities” and their “confederalism,” an idea already present, as we saw, in Kropotkin’s society of the abundance—following Proudhon in this—but also in Hayek. The Indianos would also pick up on Boulding’s idea of the crisis of scale to explain the dependence of corporations on rents and explain the simultaneous destruction of markets and state that characterizes the social decomposition that is being made even more visible with the crisis beginning in 2008.

But what’s really interesting from the point of view of the “history of abundance,” is that, beginning with the social experience of free software, for the first time, beyond Kropotkin’s logic of the transition, a new kind of economic cycle is outlined, the P2P mode of production, where capital is substituted by direct knowledge and the market is complementary, to the point that, at the limit, it goes “extinct.” And what’s no less important, this model is linked to the present through the new emerging industrial forms like the direct economy and the metabolisms of generation of knowledge that appear for the first time in those years linked to the overcoming of the intellectual property and academic institutions.

Conclusions

futurismoNobody can yet present “detailed blueprints” of a society of abundance, but our brief tour through its imaginings, from the Golden Age to P2P production, tells us something extremely important. Abundance is not a dream that comes out of nowhere. It is not the fantasy of prophets and enlightened people. It expresses the development of knowledge and of their instrumentation in technology throughout history.

As we humans transformed nature more and more effectively, the more we learned about her and ourselves. And by knowing more about ourselves as a species and as part of that common metabolism, better approximations could be written of the same aspiration, intrinsic to our transformative nature, of a life not kidnapped by scarcity.

The “buts” and dismissals made of abundance and its spokespersons in every age by the “status quo” matter little. The mere imagination of abundance is the first place where we humans have found ourselves as such, as a species and leaders of time and nature. That’s why it is in the story of abundance where gods and supernatural beings were first dispensed with. Because, contrary to what Marx thought, it’s not only when abundance is the norm the human experience would be truly human—on the contrary, the really human experience is that which is oriented to building it.

Translated by Steve Herrick from the original (in Spanish)

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Douglas Rushkoff on the space between samples, derivatives and the way out https://blog.p2pfoundation.net/douglas-rushkoff-on-the-space-between-samples-derivatives-and-the-way-out/2014/06/13 https://blog.p2pfoundation.net/douglas-rushkoff-on-the-space-between-samples-derivatives-and-the-way-out/2014/06/13#respond Fri, 13 Jun 2014 13:05:28 +0000 http://blog.p2pfoundation.net/?p=39404 In this, the final installment of our serialization of Penny Nelson’s Douglas Rushkoff interview for HiLobrow magazine, the conversation turns to the differences between analogue and digital media, the derivative life and how to get out of this whole mess. In case you didn’t catch them, here are the links for part 1 and part 2 of this... Continue reading

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In this, the final installment of our serialization of Penny Nelson’s Douglas Rushkoff interview for HiLobrow magazine, the conversation turns to the differences between analogue and digital media, the derivative life and how to get out of this whole mess. In case you didn’t catch them, here are the links for part 1 and part 2 of this fascinating interview.


7. Freedom Isn’t Free

[All Watched Over By Machines of Loving Grace, by Adam Curtis, 2011]

PN: Let’s talk about technology. In terms of administering a shared goods-and-services system, the internet might be a good match. But it also seems that the internet, and machines and technology in general, can stand in place of actual relationships, and can be a stumbling block. How do you negotiate between those ideas?

DR: The word that describes digital for me is discrete. For example, take sounds. With an actual sound, no matter how hard we zoom in, it’s still a real thing. There’s still more fidelity, more information to be found. If I scan or sample it, I’ve now translated that sound in the real world into a number. Something that was an event, in nature, in the world, is now a number. It’s a derivative of reality. That number encapsulates as many metrics and as much information about the sound as I’m capable of including, and I can then make copies of the number and manipulate them. So there’s greater choice in that way. But the only things the number can reproduce about that sound are the things I’ve told it to reproduce.

PN: It only knows what it’s supposed to measure.

DR: The reproduction process also involves a sampling rate, which necessarily leaves stuff out. Even if the sampling rate is so good, so super-mp3, that it’s beyond my conscious hearing, there is still space between the samples. Just like a fluorescent light; there’s space between the flashes.

Now the question is, for all intents and purposes, is it the same, or not? I would argue that formany intents and purposes, it is the same, but for all intents and purposes, it is not. It is a re-creation of a thing, and an approximation, and without even getting spiritual and talking about prana and chi and everything else, there is a difference.

In high school when I needed to do a research project, I would go to the library to find a book. I couldn’t help but see the 20 other books on the shelf nearby, I had to read 20 spines before I found mine. And in reading those 20 spines I would see stuff I wouldn’t have found otherwise, and I might get ideas for my paper randomly — not by predetermined choice. I would see them by virtue of the fact that some librarian who was alive before me made a decision, by virtue of legacies and input and real life messiness. Whereas when I’m in the digital realm and I know the book I want, I type it into Google, and it’s there. And nothing else.

PN: This discrete freedom of choice sounds like a very controlled environment.

DR: Right, what are my range of choices? And who’s giving me that range? People are utterly unaware of that. So when I look at technology I say well great, people have the ability to write online, but they don’t, most of them, have the ability to program. In other words we can enter our text into the little blog box, but we aren’t thinking about the biases built into a daily blog structure, which are towards short, daily thoughts, not introspective . . .

Or look at online communities. I’m going to become friends with another person who owns a 2004 red Mini with a sunroof, like mine, rather than with my neighbor who happens to have a different car; I’m going to look for that perfect affinity. But that’s not a real relationship, that’s my digital relationship, which is discrete! Discrete communities end up groping towards conformity of behavior really quickly.

That’s why it’s a consumer paradise, because it really does celebrate the idea of increasingly granular affinity groups, increasingly granular product choices.

8. The Derivative Life, An (Un)Reality Show

PN: An over-arching theme I found in the book is how the common-sense stuff of our reality, the economy and money and shopping and working, is really science fiction; we don’t live inside a “natural” economic structure — we made it up.

DR: It gets very much like Baudrillard in a way. We lived in a real world where we created value, and understood the value that we created as individuals and groups for one another. Then we systematically disconnected from the real world: from ourselves, from one another, and from the value we create, and reconnected to an artificial landscape of derivative value of working for corporations and false gods and all that. It is in some sense Baudrillard’s three steps of life in the simulacra.

So by now, as Borges would say, we’ve mistaken the map for the territory. We’ve mistaken our jobs for work. We’ve mistaken our bank accounts for savings. We’ve mistaken our 401k investments for our future. We’ve mistaken our property for assets, and our assets for the world. We have these places where we live, then they become property that we own, then they become mortgages that we owe, then they become mortgage-backed loans that our pensions finance, then they become packages of debt, and so on and so on.

We’ve been living in a world where the further up the chain of abstraction you operate, the wealthier you are.

9. The Way Out


[An Ithaca Hour, an example of an alternative currency]

PN: So since this is a system we created, can we create something else?

DR: Right, that’s what open-source was supposed to be about. I believe that every realm of human experience and design is ultimately open-source if we choose for it to be. That’s why I got interested in religion and money, because those seemed to be the two areas that people would not accept an open-source premise. Religion — of course it isn’t, those are sacred truths! But I would argue that Judaism was actually intended as an open-source religion. I’ve written a book about that, called Nothing Sacred, which was and still is controversial. Because if the Torah is open for interpretation, if it’s this beautiful, myriad, hypertextual, hyperdimensional document that it is, then the whole thing is up for grabs: what happens to the real estate, the Israeli state?

Money of course is the other big area, it’s still the one thing they won’t let you print.

PN: You’ve seen the dual currency idea from the Middle Ages coming back in certain places?

DR: We’ve seen it coming back for 10 or 20 years now in places like Ithaca, New York, and Portland, Oregon; little places with alternative communities and hippies and weirdos and Grateful Dead parking lots and things like that. They could try local currency because people were weird enough to go for it.

More recently, after the economic downturn in Japan, dual currencies started to take hold in the non-”alternative” community. Everyone had time, but no one had money. Everyone was willing to work, but there were no companies they could work for. And since the only way we know how to work is to outsource our employment to a company, things looked bad.

One of the main needs people had was getting health care to their grandparents and great-grandparents who lived in towns far away. No one could afford home health care for them — people to bathe them, walk them around, give them their shots, their IVs, their bedpans. So if you can’t afford the service what can you do? What they did was set up a non-local complementary currency system where you would volunteer a certain number of hours of work to take care of an old person where you lived. You would acquire credits, and then someone who lived near your grandparents would take care of them for the credits you paid. There was no money involved! The currency was literally worked into existence. Even after the economy improved and people got their health insurance back, old people preferred the health care workers who were coming from the real people rather than the ones that came from the companies.

Now it’s starting to hit places in the US where things are especially bad — Detroit, Lansing, Cleveland — these are towns that have resources in people, land, old factories. They have time, they have energy, but they don’t have money and they don’t have any corporate interest. So what can they do? Make a local currency, start doing things for each other. I’ll fix your car, and you do something for me.

Promoting bank-lent businesses is basically saying that you don’t believe in sustainable business models yet. Any business that started with the bank is not a sustainable business model, because it’s already in the debt/interest track. This is where Obama is still confused. He should say,“Look, I realize the economic crisis is real, there are mortgages and loans and we’re going to work on that. But the more important thing right now is, rather than spending $5 trillion of your great-grandchildren’s money on these bankers that screwed up, let’s see how can we spend a teeny bit of money and reeducate communities about real economic development and sustainability.”

And it’s easy! When I talk to economists, or when I talk to bankers, they all say, “well that doesn’t work, you need a bank to go in and invest in a community for it to happen.”

Actually — you don’t. You don’t need the bank.

***

Life Inc., How Corporatism Conquered the World, and How We Can Take It Back, by Douglas Rushkoff: website.

***
A version of this interview appeared in Reality Sandwich in July, 2009.

***

Read more recent Douglas Rushkoff:
Think Occupy Wall St. is a phase? You don’t get it.
Occupy Wall Street beta tests a new way of living.
Are Jobs Obsolete?

Read related essays on HiLobrow:
Rushkoff on HiLobrow.
#longreads on HiLobrow.

Additional resources:
Niall Ferguson, The Ascent of Money
Adam Curtis, watch All Watched Over By Machines of Loving Grace on the Internet Archive

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Podcast of the day: The Extraenviromentalist: Carbon Democracy https://blog.p2pfoundation.net/podcast-of-the-day-the-extraneviromentalist-carbon-democracy/2013/12/05 https://blog.p2pfoundation.net/podcast-of-the-day-the-extraneviromentalist-carbon-democracy/2013/12/05#respond Thu, 05 Dec 2013 17:26:15 +0000 http://blog.p2pfoundation.net/?p=34558 From our friends at The Extraenviromentalist Podcast, whom we’ll be featuring regularly on the P2P blog. From the episode notes: “The ideas we have about our government systems have been dramatically shaped by the energy sources that power them. If the physical characteristics of coal and oil have developed the expectations of our 20th century... Continue reading

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From our friends at The Extraenviromentalist Podcast, whom we’ll be featuring regularly on the P2P blog.

From the episode notes:

“The ideas we have about our government systems have been dramatically shaped by the energy sources that power them. If the physical characteristics of coal and oil have developed the expectations of our 20th century politics, how they also invent ‘the economy’? Will it be possible to sabotage a system that has an entirely different energy profile than the one that gave birth to organized labor?

In Extraenvironmentalist #69 we speak with Timothy Mitchell about our political systems and his book Carbon Democracy: Political Power in the Age of Oil. We discuss the ways coal and oil have transformed collective labor demands, revolutionized our money systems and contributed to our global conflicts. Then, Richard Heinberg updates us on the shale oil bubble and the implications of peak oil as we discuss Snake Oil: How Fracking’s False Promise of Plenty Imperils Our Future. Richard reflects on the timing of peak oil predictions and what the may indicate for the upcoming decade.”

Excerpts

 

 

 

 

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