Alberto Corsín Jiméneza – P2P Foundation https://blog.p2pfoundation.net Researching, documenting and promoting peer to peer practices Sun, 05 Jun 2016 17:18:16 +0000 en-US hourly 1 https://wordpress.org/?v=5.5.15 62076519 When the Ethnographic Method Goes Open Source https://blog.p2pfoundation.net/ethnographic-method-goes-open-source/2016/06/10 https://blog.p2pfoundation.net/ethnographic-method-goes-open-source/2016/06/10#respond Fri, 10 Jun 2016 10:16:05 +0000 https://blog.p2pfoundation.net/?p=56970 A recent article titled ‘Ethnography: A prototype’ and co-authored by Alberto Corsín Jiméneza & Adolfo Estalellaa. “The article describes a long-term collaboration with a variety of free culture activists in Madrid: digital artists, software developers and guerrilla architectural collectives. Coming of age as Spain walked into the abyss of the economic crisis, we describe how... Continue reading

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A recent article titled ‘Ethnography: A prototype’ and co-authored by Alberto Corsín Jiméneza & Adolfo Estalellaa.

“The article describes a long-term collaboration with a variety of free culture activists in Madrid: digital artists, software developers and guerrilla architectural collectives. Coming of age as Spain walked into the abyss of the economic crisis, we describe how we re-functioned our ethnographic project into a ‘prototype’. We borrow the notion of prototype from free culture activism: a socio-technical design characterised by the openness of its underlying technical and structural sources, including for example access to its code, its technical and design specifications, and documentary and archival registries. These ethnographic prototypes functioned as boundary objects and zones of infrastructural enablement that allowed us to argue with our collaborators about the city at the same time as we argued through the city. Providing a symmetrical counterpoint to the actions of free culture hackers elsewhere in the city, our anthropological prototypes were both a cultural signature of the radical praxis taking place in Madrid today and its expressive infrastructure.”

You may find the full article here.

Photo by fusion-of-horizons

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